Category Archives: Comedy

“La-di-da, la-di-da, la-la.”

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I fell for Diane Keaton the minute I heard her speak that line in Annie Hall. She won the Oscar for Best Actress for her performance as the title character in Woody Allen‘s 1977 classic. Keaton’s wardrobe, her own creation, started a whole new trend of women utilizing men’s clothing that made a mark on fashion and popular culture that survives today.

The film won the Academy Award for Best Picture. Allen won for Best Director and shared with Marshall Brickman the award for Best Original Screenplay.

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It is a Nice Idea

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Free speech is a pain in the rear. Always has been. Always will be.

It is a nice idea. If you have freedom of speech, you have the right to say whatever is on your mind without fear of repercussions. But there is a rub. It also means the guy standing next to you has freedom of speech. That means he can say whatever is on his mind, even if you find it to be abhorrent, disgusting, threatening and maybe even dangerous.

The men who designed our government met in secret and wrote a historic document detailing the structure of the national state and enumerating the powers and responsibilities of its parts. When the document was made public, the people were not pleased. They demanded a guarantee of their rights be written into the document.

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Two Megalomaniacs Walk into a Bar……

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The bromance that brought Donald Trump and Elon Musk together seemed like an unlikely combination from the start. The real estate mogul turned politician, and the technology entrepreneur turned richest man on the planet both tended to absorb all the oxygen in any room they inhabited. It was hard to envision that both could occupy the same space at the same time for long.

Still, the speed and violence of the inevitable explosion of the relationship was breathtaking. In the space of a single day, the man who wreaked havoc on the federal government, and the man who encouraged him and gave him the authority to act in violation of law and Constitution were calling each other names on their respective social media sites and threatening retribution.

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Bob Newhart

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I was in grade school on the south side of Chicago when I began listening to the radio. It was AM in those days, and the format was Top Forty. There were two big stations in Chicago, WLS and WCFL. Since they both played the same music, they differentiated themselves by the personalities of their disc jockeys. One did a lot of comedic bits and spotlighted local comedians. And one of those was Bob Newhart.

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Charles Osgood

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I heard him long before I met him. I remember sitting in the cafeteria CBS had set up in the basement of New York’s Madison Square Garden to feed the hundreds of staff members it had brought to the 1976 Democratic National Convention. Believe it or not, in those days the political conventions meant something and, in part because of legal requirements, they were extensively covered by broadcasters.

Just two years out of journalism school, I had been sent by my employer, WBBM-TV, the CBS owned station in my hometown Chicago, to manage our coverage. Along with me was a terrific video crew and a wonderful reporter who needed no supervision and little assistance, and an anchorman who definitely needed both. Those are stories for another day. Today, I just want to talk about the voice.

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Peter Schickele

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I still remember the first time I heard the music of P.D.Q. Bach. On the program at New York’s Town Hall were the Echo Sonata for Two Unfriendly Groups of Instruments and the Schleptet in E♭ major. I was immediately hooked.

Each piece was introduced by Professor Peter Schickele of the Music Pathology Department, University of Southern North Dakota at Hoople. Schickele claimed to have discovered the work of P.D.Q, who he described as the 21st and least of the children of the great baroque composer Johann Sebastian Bach. Here is where things get a little dicey. J.S. Bach was certainly prolific. But he stopped at 20 children. And while there is a Hoople in North Dakota, there is no university there. I should have noted that the program listed P.D.Q.’s dates as “(1807–1742)?“

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